Every lens listens. Feed DawCam your track — through the plugin in your DAW, through Bridge Mode, or just whatever your computer is playing — and the lenses move with it. Turn the music off and they sit still. That is the whole idea, and it is why there is a Sensitivity setting rather than a switch.
The blue line under each one is what the plugin itself says when you pick that lens, word for word.
Every lens has a Look — one knob that steps through its variations. Automate it in your DAW and the lens changes with the arrangement.
Any lens, any moment: press Capture and the picture goes to your Album. From there you can draw on it, stamp it, and caption it — and the original is always kept, so there is no way to ruin a shot by playing with it.
The viewfinder detaches into its own little window that floats over your DAW, and it can be dragged anywhere on the screen — right off the edges if you want most of it hidden.